repurposes a ‘naughty postcard’ from Victorian England. The image has an ‘end of the pier’ or ‘what the butler saw’ quality, not least because the woman’s buttocks are prominent in the frame and tilted back towards the camera.

The artist’s use of colour stresses the idea of sexual arousal, of being ‘flushed’ with desire.

This artwork is intended to celebrate lesbian visibility: a woman responds auto-erotically to her own image in the mirror, or perhaps the other woman is not a reflection at all but a lesbian lover waiting on a kiss.